Not sold…

Earlier this morning, while waiting for one of the endless piles of laundry to finish, I gave birth to a third draft. What we have is fully formed, edited, formatted, and copyrighted short story. I’d be lying if I said I was completely happy with it. Then again, you can count on one hand the number of times I’ve ever been completely happy with anything, so take that with a Copyrighthealthy dose of salt. I’m happy enough with the content – aside from the inevitable grammar, punctuation, and usage stuff – but my real hang up at the moment is the title; Retribution: Chasing Hearts and Minds.

That’s not the first title. It’s not the second or even the fifth. It’s the eighth if I’m counting correctly. I’m just not sold on it yet even though it feels like the best of the bunch. Having said that, I’m not currently in a mode of letting the perfect stand in the way of the good enough.

This little project of mine is moving out. I’ve just launched it into the hands of someone who was there at the beginning to give this draft its first formal read through. Letting other people see one of these things is the most nerve wracking part – especially when that person reads. A lot. It means you’re going to get compared to people who do this for a living. That’s a tough standard to meet when you’ve cobbled the idea together a few hundred words at a time working nights and weekends. Still, it’s my baby and that means I’ll be immensely proud of it even if the rest of the world thinks it’s ugly as sin.

Soon enough you’ll all get the opportunity to make up your own minds on the issue. I just hope I’ve done the work well enough to meet expectations. Everything else is gravy.

Editorial blues…

I’m editing. That is all. As essential as I know it is to putting out a good, readable product, it’s the part that I hate the most. I know it’s at the very center of the creative process, but there’s something about recovering the same ground two, five, a dozen times that, to me, makes it feel like the most non-productive thing I could spend my time doing.

Add to my generalized hatred of editing the fact that at the moment, I’m trying to do it on a beautiful, blue-skyed, spring day and I hope you can start to see why at this very moment, my heart just isn’t in it. Not to take anything away from the work in progress, but on days like this sitting inside and doing the work is damned hard. I know it’s only going to get harder as the weather gets nicer, though. It’s going to get harder right up to the point I realize it’s 93 degrees and I’m sweating my balls off. Then there’s no place I’ll rather be than in front of the air conditioner getting some long overdue work done.

In this part of the country there isn’t always a long time between frozen tundra and baking asphalt. I’m doing my best to keep the momentum up, but I’m giving up all promises not to get distracted for these few weeks while the weather is nice enough to enjoy.

Garden of Allah…

Don Henley released the song In the Garden of Allah in 1995. That would have made me a high school junior or senior depending on the date. Don’t worry if you haven’t heard of it before. I’m willing to bet that most people haven’t. I spent a lot of time driving around – because that’s what you do when you grow up in the sticks – and there was almost always music on the radio. It was a catchy tune back then and mostly I forgot about it until about two years ago when it started popping up when I told iTunes to shuffle. I must have been listening to a lot of Eagles tunes then, because it kept coming around. It’s one of the very few seven minute songs I don’t get bored with halfway through. After a few times through, it really got stuck in my head… and that’s about the time I started writing.

It wasn’t anything coherent at first. Maybe a few scribbled notes, a sentence here or there, but nothing with substance. Then a funny thing happened. It evolved and coalesced into the nucleus of an idea. I started off with the idea of writing something political and ended up with something clearly more religious. Blatantly so as it turns out.

So there’s the inspiration behind the short story I’m heroically trying to edit. It’s all there on paper now not because I wanted to explore than nature of good and evil, but because a really liked a quirky Don Henley song back in high school. Clearly the muse works in strange ways.

Six P’s…

Ninety-nine times out of a hundred when you see me, I have a plan. It may not always be a good one, but it’s there informing the decisions I make throughout the course of the day. Even if I know the plan is going to be blown to hell and back by 9AM, I feel better starting the day with a semblance of an idea about where I want to be when the day ends.

That’s true except in the one part of my life where it feels like a plan is currently most needed – the writing part. You know, the part I really, really like. More days than not I find myself sitting at the keyboard after dinner flailing around hoping to strike on a decent topic for the night’s post. That stroke of good luck feels like it’s getting harder to come by lately. That’s pretty much how I know it’s probably time to sit down and look at this thing like an actual professional – planning out posts in advance, working to deadline, and generally not waiting for the good idea fairy to drop ideas in my lap at the last possible minute.

I think I’ve always worried that having posts pre-planned might take away some of the ebb and flow around here. It could make me less responsive to the breaking news of the day that’s just crying out for a heavy dollop of cynicism. It’s getting to the point, though, that I’m feeling like that’s an acceptable level of risk to take so I can try to get the most out of the limited keyboard time I have available. So from here on out, I’m going to do my best to see if the Six P’s are still true. I’ve I’m lucky, I’ll find all these years later it’s still a stone cold fact that proper planning prevents piss poor performance.

Editorial control…

I enjoy almost everything about the writing process. I like that, for me, it’s a solitary effort. I like that it forces me to live inside my own head. I like that it demands a focus and discipline that I don’t always want to demonstrate in other aspects of my life. Most of all, I like that when the final period is added, I can sit back point at the screen, and have the deeply personal satisfaction that I put all those words on all those pages. Even though I spend most of the day writing at the office, there’s no sense of ownership. A finely crafted email or policy letter just doesn’t have the same feel. Most of that kind of writing is set within strictly proscribed left and right boundaries. You can pretty the words up a bit, but I’ve never finished rewriting a section of policy and thought, “damn that’s good.”

I’ve left my work in progress sit for a little more than a month. It’s a much needed cooling off period, so I can try to read through it with a little bit of objectivity. And therein lies the current problem. I love the creative process of writing. I love it right up to the point it becomes the editorial process of reworking all the bits and pieces into a more cohesive and understandable whole. It’s maybe the most necessary step, but there’s nothing at all in it that I find enjoyable. In fact forcing myself to sit down and do it is far more difficult than expecting myself to sit down every night and create brand new material.

Exerting editorial control is a necessary evil. It’s an evil that I started tackling last night. It’s an evil that I’m going to spend many more nights wrestling with… mostly because it reveals that the story that I thoughtfully crafted over the winter is full of plot holes, grammar and punctuation problems, inconsistencies, characters that go nowhere, and generally shows that all I’ve done so far is finish a first draft. I knew that intellectually, but the intervening days gave me the space to realize it with more than my brain.

It’s time to get back to work… and by “work” of course I mean that activity that takes inordinate amounts of time and shows absolutely no promise of ever paying for itself. Even knowing all that, a bad day editing is better than my best day doing most anything else I’d consider work. So yeah, it’s time to get back to work.

Holding…

Anyone who was following along last month might remember that I was giving fiction a bit of a go. Since I haven’t mentioned that little effort in a few weeks, it felt like it deserved an update. If you’re expecting some exciting or late breaking news, this is your fair warning to go find something else to read this evening. That’s because the update is that there really isn’t an update.

Since I set it aside, Unnamed Short Story #1, has been sitting quietly in a file (or in several files to be more accurate). Why? Because if you’ve ever tried finding a mistake in an email you’ve just written, magnify that problem by a few hundred percent and you’ll start to understand what I’m up against.

What’s sitting on the shelf is a first draft. Some sections are barely an outline held together with a bit of awkward dialog. Translation: Almost every word of it is going to have to be rewritten before I even sit down to do any real editorial work. That’s not a complaint. It’s just the process. I know the only way I can even hope to make any objective corrections is to put distance between me and the first draft… and when you’re writing, time is the only real measure of distance there is.

So, USS#1 is in a holding pattern. Honest to God, I’m still incredibly excited that it’s even gotten to that point. Take my word for it, there were plenty of days I didn’t think it would even make it that far. In the meantime, I’m working on a few side projects and giving my alter egos a workout – some of it professional and some of it decidedly not. It might not feel like it from the position of outside observer, but every time I sit down at the keyboard, regardless of what I’m working on, it feels like I’m giving my chops a workout. I don’t know if I’ll ever make any money from doing any of this, but honing whatever modest talents I have still feels like a worthwhile investment.

USS#1 will come off the bench soon enough, but I’d like to let it sit for another two weeks or so. It won’t quite be reading it completely fresh, but a full month away feels like a decent enough amount of time away. How long things take from that point, your guess is as good as mine.

Interregnum…

Most people who write never actually talk about how much their first drafts suck. Since I clearly have no shame, I’ll say it out loud and in a public forum: I know for a stone cold fact my first draft sucks. It’s legitimately awful. It’s full of spelling and grammar issues. It’s likely to have favored words and phrases repeated every few pages. There are whole sections that I’ll want to rip out, stomp on, and never think of again. That’s the nature of a first draft. As much as we’re tempted to think of it as the beginning of the end, it’s really just the end of the beginning.

My tendency, and I can only assume it’s shared by others, is to want to launch a new project out into the world as quickly as possible. Of course this is a terrible, terrible mistake because it doesn’t give you the time and space necessary to really work out the kinks and rough spots. Since I know that going into it, what I’m planning on doing now with this short story is absolutely nothing. I don’t want to re-read it. I don’t even want to think about it for at least two weeks. A month would be better if I can convince myself to stay away that long.

Time and distance is the only thing that helps give a layer of objectivity when I get back to a work in progress. For me at least, if I try to edit my own work just after it’s finished, I know I’ll do a lousy job of it. Being too close to the story, I’m reading what I think is there (or maybe what I wish was there), rather than the words that are actually on the page. Really editing your own work is mostly a fool’s errand. That’s why the best editors can make a boatload of money plying their trade. Those of us who can’t afford the best editorial support, simply make do by asking trusted associates to take on the job for peanuts. Frankly, if you’re interested in more than a free copy of the finished product, I probably can’t afford your editorial services at this point anyway.

So where I am now is in a bit of an operational pause, somewhere between active writing, re-writing, and editing. Since I’ve built up a good head of steam and have forced myself into the habit of writing every night, though, this isn’t the time to lay in the cut. My job now is to keep writing, even if that means taking on another project or maybe doing a little freelance work to keep my chops up. I’m tinkering with a few ideas and even managed to free write for a while last night which is something I rarely ever get the chance to do.

Whatever small project I take on during this damned interregnum, you can rest assured that it will be in some way geared towards continuing to build my little hobby into something a bit more substantial. This may never been what I do to pay the bills, but I’m still fairly certain it’s what I’m supposed to be doing.

The more things change…

I’m afraid we’re screeching back into one of those times when I’m going to spend far too much time casting around for new blog ideas. In this case, the problem isn’t any kind of block, but rather that everything I really want to write about is embargoed or otherwise of a nature that I consider it out of bounds for this forum. It really is a pity, because I know there are some real doozies that are sitting in my notes just wasting away. Sure, maybe they’ll see the light of day sometime in the future when they’re less relevant, but there’s no denying that takes the edge off them.

If you’ve read The Cynic’s Guide, you’ve already read most of this story. God knows I’ve already lived it. The best I can tell you is that the past is a pretty damned good indicator of what the future is going to be like. It’s 100% situation normal in the belly of the bureaucracy… and that’s a uniquely off combination of comforting and infuriating. If nothing else, I know what to expect. I’ve been here before after all. The names and faces are different, the scenery has changed, but it’s the same old, tired story. The more things change, the more they never do… at least this round of eye rolling is on the banks of Mother Chesapeake instead of Big Muddy.

Going back…

The trouble with being away from work for the better part of a week is that if you want to keep getting paid on a regular basis, you have to go back eventually. If I’m honest with you and myself, it was exhausting. Not in that way that you’re tired after a long day of chopping wood or being physically engaged, but in that very special way that leaves your brain feeling like it’s turned to jell that could ooze out your ear at any moment. Today was definitely a day like that.

I keep telling myself that it’s just a matter of getting back into the swing of things, but even while the joy of time off is still fresh in my mind I know that’s not really true. As I’m sitting here bashing at the keyboard, flanked by a steaming mug of fresh coffee, a few good ideas, and a couple of dogs, I know it’s not true at all. At best I’ll muck through tomorrow, the day after, and the ones that follow so I can get back to doing this as quickly as possible.

But hey, I like eating something other than Top Ramen and there are bills to pay, so before the sun’s up tomorrow I’ll be back at it. Maybe not with a spring in my step or a song in my heart, but sometimes just going back has to be good enough. Sometimes that’s the best you’ve got.

Best efforts…

This was very likely to turn into a long, rambling collection of words that wouldn’t end up saying anything at all. It felt like that kind of night. Actually, it’s felt like that all day, maybe even longer than that. Despite my best intentions, it may yet turn into a bit of a ramble. It certainly feels like it could.

The good news is that the Muse hasn’t left me high and dry. I’m still sitting down every night and making progress on the short story in waiting. I sit down as close to 7PM on the nose as I can manage and don’t get back up until there are at least 300 fresh words sitting in front of me. Sometimes it takes 20 minutes, other times closer to three hours. Admittedly, sometimes the words that end up there just plain suck. More rarely, the ones that appear are actually rather good. Like Gump’s chocolates, when I sit down I never know what I’m going to get.

As far as I’ve been able to tell, the quality of the output doesn’t particularly matter. What seems to matter is the routine, the habit of writing consistently day in, day out, when you’re sick, when you’re tired, when there are a dozen other things screaming out for your attention. What matters is sitting down and letting the words flow – or sometimes forcing them to flow against their will. It can feel like that a lot.

What I’m going to end up with 4000-odd words and 14-ish days from now is generously called a first draft. I know that draft is going to suck… and I don’t mean just a little. It’s going to be God awful – full of half formed ideas, words that aren’t really words, and phrases that are repeated on at least every fifth page. That’s fine. Not fine for public consumption fine, but fine by the standards of the first draft. It means finally there’s something there that wasn’t there before. Something that I drug into the world kicking and screaming out of my own head and onto the form of evil that fills me with the most dread – the blank, white page with its solitary flashing cursor.

Even after it’s no longer a first draft – maybe a 3rd or 4th version – after it’s been anointed as “final” I know I won’t be entirely happy with it. I’ll want to change and tweak and craft just a bit more. Right now I know it’s not even in the realm of good enough, but it will be. I think. That’s the theory I’m working under, anyway.

OK, yeah, so maybe this did turn into a long, rambling collection of words despite my best efforts to the contrary. Sorry about that.